 |
| Sir Thomas Lawrence, George IV 1821 Royal Collection Trust (c) Her Majesty Queen Elizabeth II |
When George IV died in 1830, he was not widely mourned,
thanks to his over-indulgence, womanising and extravagant spending at
a time when the country was suffering from economic hardship and political
turmoil. The Times obituary said “there was never an individual less
regretted by his fellow creatures than this deceased King”. But there was another
side to his character – that of a connoisseur with intellectual interests whose
endless acquisitions made him one of the most important figures in the
formation of the Royal Collection. This exhibition in the Queen's Gallery, Buckingham Palace (below) brings together more than 300 of the treasures he collected.
George was living at a time when upheavals on
the Continent following the French Revolution flooded the market with works of
art. Although he never travelled beyond Europe, he spent freely and frequently,
indulging his passions for 18
th-century French decorative arts, 17
th-century
Dutch and Flemish painters and of course Asian porcelain and oriental
decorations, many of which found their way to the Royal Pavilion in Brighton.
He transformed Windsor Castle and Buckingham Palace and was also among the patrons of British artists of the day such as
Gainsborough, Joshua Reynolds, Thomas Lawrence and Richard Cosway. The Duke of Wellington described him as “the
most munificent patron of the fine arts” and “the most accomplished man of his
age”.
 |
| Rembrandt van Rijn, The Shipbuilder and his Wife: Jan Rijcksen and his Wife, Griet Jans, 1633 Royal Collection Trust (c) Her Majesty Queen Elizabeth II |
Among the many art works on display is his most expensive painting, Rembrandt’s
The Shipbuilder and his Wife,
which cost him 5,000 guineas. He also managed to acquire a painting by Rubens
of
St George and the Dragon, which had belonged to Charles I but been sold off after
his execution.
 |
| Sir Peter Paul Rubens, Landscape with St George and the Dragon, 1630-5 Royal Collection Trust (c) Her Majesty Queen Elizabeth II |
The exhibition also showcases the most spectacular moment of
George’s life – his coronation, which came at a cost of more than £240,000.
He
orchestrated the whole event, overseeing the design of his sumptuous coronation
robes and staging a banquet that featured the Grand Service, a 4,000-piece
collection of dining and buffet silver-gilt that is still used today at state
banquets.
 |
| Rundell, Bridge & Rundell, The Diamond Diadem, 1820-1 Royal Collection Trust (c) Her Majesty Queen Elizabeth II |
Also on display is the glittering Diamond Diadem he
commissioned for the occasion and wore in the procession to Westminster Abbey, atop a black velvet hat. It's remained a royal favourite, and appears in the image of
Queen Elizabeth on postage stamps. She also wears it to the State Opening of Parliament.
 |
| Red and yellow feather cape ('ahu'ula), 1824 Royal Collection Trust (c) Her Majesty Queen Elizabeth II |
Oposite the diadem is one of his most colourful coronation gifts – a red and yellow feather
cape from the rulers of the Sandwich Islands (Hawaii). Sadly, they both died of measles not long after their arrival in England, but the cloak was still presented.
 |
| Jane Austen, Emma: a novel in three volumes, 1816 Royal Collection Trust (c) Her Majesty Queen Elizabeth II |
George was also a voracious reader. His tastes ranged from geography and military
history to the works of Jane Austen – he had a set of her works in each of his
homes. (Although not a great fan, she was persuaded to dedicate Emma to him.)
 |
| Robert Seymour, The Great Joss and his Playthings, c.1829 Royal Collection Trust (c) Her Majesty Queen Elizabeth II |
Many
satirical prints and caricatures circulated during his lifetime, mocking his
excesses in food, fashion and sex and surprisingly, he collected a number of
them. One,
The Great Joss and his Playthings, pokes fun at his interest in
oriental style. Perhaps the most touching among the numerous portraits he comissioned
of his family and friends is a delicate pencil and watercolour
sketch by Richard Cosway of Maria Fitzherbert, “the wife of my heart and soul”
whom he secretly married in 1785.
 |
| Maria Fitzherbert by Richard Cossway c.1789. Royal Collection Trust/ (c) Her
Majesty Queen Elizabeth II |
The wedding was illegal as his father had not
given his consent. Later George was married to his cousin,
Princess Caroline of Brunswick, but it was an acrimonious relationship and they soon separated, causing scandalous headlines. When he died in 1830 he was buried with a miniature portrait of Maria around his
neck.
George IV: Art and Spectacle is at the Queen's Gallery, Buckingham Palace, until May 3 2020.
No comments:
Post a Comment